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A Tree for Anable Basin investigates and celebrates the enigmatic, rapidly changing waterfront environment of Long Island City. Launched as a site-specific installation in response to Long Island City in Context, an unorthodox urban guidebook published by Place in History, this public sculpture also coincides with the exhibition of Chico MacMurtrie's work at the Andrew Edlin Gallery in Chelsea. It is conceived as a temporary installation. It encapsulates in a single gesture the dynamism and split personality of a landscape undergoing tumultuous redevelopment.
As a natural object crafted from industrial materials, the floating aluminum tree evokes Anable Basin’s historical interplay between industrial and ecological activity. Anable Basin—a 500-ft-long notch in the East River—was carved from tidal wetlands in 1868 to serve as loading slip for oil tankers and other cargo ships. Between the demolition of the former Pepsi bottling plant in 2004 and the ongoing construction of deluxe high-rise residences on the site, the developers attempted a massive detoxification operation to clear generations of pollutants from the waterfront.
The site's natural regeneration began 30 years ago, however, with the Clean Water Act and the gradual return of migratory water birds. Neighborhood groups such as the LIC Community Boathouse have quietly begun to explore the potential of Anable Basin to contribute to the life of the waterfront and the city. A Tree for Anable Basin builds upon the resiliency and elusive beauty of the site. Floating upon a sculptural island planted with native estuary grasses and glowing with solar-powered lights, the Tree is designed to enhance the existing habitat for birds.
The sculpture's presence is intended to raise questions about community access and land use by inviting public spectacle at a traditionally restricted site. Although the privately-controlled Basin has long been concealed from public view, Tree identifies this tidal waterway as a cultural and ecological resource to be understood, enjoyed and preserved. Embodying the transitional quality of the present moment, Tree foreshadows and refracts the accelerating corporate promotion of the site through landscape amenities. Yet its textured metal branches and fishing-dock-inspired base express the lingering traces of an industrial past.


For complete photo documentation please visit flickr.com/photos/anabletree/
You may use the left and right arrows to cycle through the photos at the right
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Partially assembled tree with main branches
Partially assembled tree with secondary branches
Partially assembled tree with secondary branches
Removable branch and trunk connection
Surveying the assembly
Pile of branch frames
Assembled trunk and main branch frames
Sheet aluminum used for skin of the tree
Cutting aluminum with pneumatic snips
Cutting aluminum by hand
Prepping aluminum for welding
Templating pieces of skin with plastic
Pile of formed and textured skins
Texturizing skin with the rotary hammer
Fitting skin to frame
Welding skin to frame
Welded branch
Welded branch
Hammer and anvil for shaping and texturizing
Rotary hammer for shaping and texturizing
Hydraulic press for forming metal
Interchangeable heads for the hydaulic press
Pneumatic metal snips and sheet aluminum
C-clamps holding skin to frame in preparation for welding
Cinching mechanism used to draw skin to the frame
Completed sculptural model with original wooden dock concept
Partially completed wire frame model mapping frame structure
Wire frame and sculptural model
Aerial view of Hunters Point in Long Island City, Queens - Anable Basin to the right
Mouth of Anable Basin looking east towards its end
Ananble Basin looking west towards Manhattan
Queens West construction site adjacent to Anable Basin
Gideon Fink Shapiro, project team member
Amorphic Robot Works studio
Chico MacMurtrie, Artistic Director of Amorphic Robot Works and project team member
Bruce Mulligan, project TIG welder
Michael Lum, project team member
Trunk with skin
Desanctified Norwegian Seaman's Church and abandoned Smo-King Factory in Red Hook, Brooklyn, home to Amorphic Robot Works
Eve Hadley, project team member
Panorama of Anable Basin
Partially fabricated dock
Forming a piece of skin with the hydraulic press